By Omar Torres-Kortright, Photos by Charlie Billups
Last Saturday, February 8, iLe, the Latin Grammy-winning artistic persona of composer and singer Ileana Cabra, solidified her position as one of the most captivating and original music projects to come out of Puerto Rico in the last decade. Her Almadura Tour, which will visit 15 North American cities over the next month, had a dream start at Old Town School of Folk Music’s Mauer Hall in Chicago’s Lincoln Square neighborhood.
As always, the night offered an x-ray into the heart and soul of this highly committed artist. Wearing her heart on her sleeve, iLe invites the audience into a world inspired by the complex cultural and musical influences of her Caribbean identity. Every thought, every move, and every word had a purpose in this carefully-crafted, and highly personal artistic statement on the political and social struggles of her native Puerto Rico. Motivated and provoked by Hurricane María, her newest production provides context to the colonial status of Puerto Rico by delving deep into the island’s history with songs like Odio, inspired by the 1979 killings of two independentistas at Cerro Maravilla and Ñe, ñe, ñe; a clear dig at the island’s politicians using plena as its rhythmic driving force.
While many of iLe’s hits are made for the dancing public, I didn’t expect to see the audience standing from the first song to the last, creating a special bond with her Chicago fans that I had not witnessed in her previous visits. The intimate size and pristine acoustics of Mauer Hall allowed iLe to connect on a personal level with every one of the lucky 400+ music enthusiasts that filled the sold-out venue.
Ile’s performance included material from her Best New Artist Latin Grammy-winning Ilevitable (2016), as well as the multilayered and polyrhythmic 2020 Grammy Nominated Almadura (2019). Throughout the night she showcased the depth and range of her voice, capable of going from classic bolero in songs like Triángulo and Temes, to salsa (Te quiero con Bugalú and Déjame Decirte) and even Dominican palo in the closing song of the evening, the powerfully rhythmic La Curandera (The Healer). The healer, she explained before beginning the song, offers a deliberate pause to shake off bad energy and press the reset button… kind of like what many Puerto Ricans had to do after Hurricane María and, more recently, the January 2020 earthquakes.
ile’s performance showcased the talents of her swinging 9-piece band that combines an impressive mix of established and emerging talent from the Island of Enchantment, including musical director Ismael Cancel (drums and percussion), Bayoán Ríos (guitar), Adalberto Rosario (guitar), Jeren Guzmán (congas, percussion), Jonathan González (bass, percussion), Zacheaus Paul (keys, percussion), Jorge Echevarría (trombone), and Hommy Ramos (trombone). The impeccable sound was made possible thanks to the able hands and ears of Bobby Connelly-Nadal, who also came directly from Puerto Rico to nurture the distinctive sonic elements that make up iLe’s artistic DNA.
It has been truly amazing to watch Ileana Cabra’s growth as an artist over the course of just a few years and two albums. The timelessness of her sound disregards fashion in order to convey something deeper and more lasting. It’s easy to imagine a very long and rewarding artistic career to come.