Eddie Palmieri brought what was, for the celebrated salsa orchestra leader and NEA Jazz Master, a smallish ensemble with him to the Old Town School of Folk Music on Friday night, but the joyful noise that they made together was a testament to the power of Eddie’s playing, composing and arranging skills. When you add in the charm and personality that El Maestro carries with him always, you have the recipe for a truly special night. Mixing references to both family and his beloved Puerto Rico into the between songs commentary, Eddie engaged the audience emotionally as well as musically.
The evening opened with a solo piano meditation on Palmieri’s late wife, weaving together two compositions, Mi Novia and Life, together in her honor. From there on, though, it was time for el ritmo.
As Eddie said in last week’s Agúzate interview, the man absolutely refuses to indulge in mediocrity. He reiterated this at the show, noting that the harmonic complexities of jazz wed to the African derived rhythms of Cuban drumming are pretty much everything that’s worth doing musically. And, of course, he had a band with him that was spectacular at both.
The all-Puerto Rico rhythm section of bassist Rubén Rodriguez, timbalero Camilo Molina, conguero Vicente “Little Johnny” Rivero and El Rumbero del Piano himself absolutely killed it all night long. Meanwhile, Alex Norris’ trumpet and Louis Fouché’s alto sax burned with fire and grace.
In addition to selections from his latest album Sabiduria, the group went back to the 70s several times for recasts of classic Palmieri tunes like La Libertad Logico, Puerto Rico and Chocolate Ice Cream (written with the great Cuban trumpeter Chocolate Armenteros). Each was introduced with an anecdote from Palmieri’s life about the origins of the song. Some were humorous. Others addressed the tragic situation of Puerto Rico’s slow recovery from Hurricane Maria but also the strength, resilience and pride of the Puerto Rican people, even suggesting that it was time for the island to resume its pre-conquest name of Borikén.
All in all, it was an extraordinary night. Today, as I go back and listen to classic records like Vamanos Pa’l Monte and Sentido, I’ll also have photographer Charlie Billups‘ images from the concert to remind me of just how extraordinary it was.
Chicago is a fortunate city in that The Sun of Latin Music, El Maestro Eddie Palmieri, has visited us with various bands in tow four times in as many years. Despite the enormous expense of taking a big band on the road, the good folks at the Chicago Department of Cultural Affairs and Special Events have dug deep into their pockets not once, but twice, to bring the Eddie Palmieri Salsa Orchestra to Millennium Park. Interspersed with those huge events were a show at the deeply missed Mayne Stage with trumpeter and Simpático album collaborator Brian Lynch and a Latin Jazz Septet performance at Symphony Center.
Chicago’s hot streak continues this Friday when the intimate Old Town School of Folk Music presents the Eddie Palmieri Latin Jazz Band for two shows. The visit follows up the April release of Sabiduria, a richly textured and rhythmically exciting album featuring Eddie’s core band and a diverse cast of guest musicians ranging from Cuban violinist Alfredo de la Fé to New Orleans saxophonist (and Mardi Gras Indian Chief) Donald Harrison and the king of funky drumming himself, Bernard Purdie, who first played with Eddie on the 1971 landmark album Harlem River Drive.
Sabiduria expertly covers everything from Afro-Cuban roots music to New Orleans second line funk, all under the wide umbrella of Latin Jazz. When salsa took a turn into slick corporate vapidity in the early 90’s, Palmieri refused to go along for the ride, instead concentrating his formidable talents as a composer, arranger and pianist into jazz and producing the frankly amazing Palmas in 1994. La Perfecta II in 2002 was something of a return to classic salsa, charanga, and mambo in honor of the 4oth anniversary of his groundbreaking debut as a bandleader, but it, too, was graced with tremendous jazz improvisers given plenty of room to do their thing. Simpático won a much deserved Grammy for best Latin Jazz Album in 2007.
That was followed by a long period of studio silence until filmmaker Bobbito Garcia asked him to contribute music to Doin’ It In the Park, his documentary on New York street basketball, in 2012. Three tunes from those sessions made it to Sabiduria. We have the visionaries at Ropeadope Records to thank for adding nine more and making them all widely available.
Core musicians from these sessions (Vicente “Little Johnny” Rivero congas, Camilo Molina timbales, Louis Fouche alto sax) will be joined by trumpeter Alex Norris and bassist Ruben Rodriguez at the Old Town School shows.
Eddie Palmieri was kind enough to answer a few of my questions when I reached out to him last week.
Don Macica (DM) – I’ve read that you turned to jazz because it’s hard to land salsa gigs, but I also know that you studied the jazz greats along with the Cuban greats when you were coming up in the 50s. Do you have a preference? What do you consider yourself as an artist?
Eddie Palmieri (EP) – I have always been a leader of Orchestra Dance Bands. The writing was on the wall in the early 90’s when the (salsa) genre changed regarding true dance music. The structures were changed to emphasize the vocalist and the tension and resistance needed in the arrangement were abolished. Salsa Romantica or Salsa Sensual became the popular sound and personally I will never succumb to musical mediocrity.
So, Latin Jazz was the mission. In 1994 I became a Governor in the New York Chapter of NARAS and I was able to become a driving force for the Academy to recognize and open up a category. I consider myself a sincere musical student. The playback of my discography does not lie.
DM – Sabiduria feels a little bit like a career summation, albeit a very adventurous one. There’s great jazz, but also some very pure Afro-Cuban stuff and the title track is a fat slice of jazz-funk that recalls Harlem River Drive. Is there any separation between these genres in your approach?
EP – Sabiduria, in my opinion, is the greatest “Latin Jazz” recording ever! The personnel that my son Eddie Palmieri II put together and produced was outstanding. Like I said earlier I have always loved musical extensions throughout my career.
DM – What was the inspiration that brought Donald Harrison to Sabiduria?
EP – Donald Harrison has always been a part of this family since Palmas in 1994. We love him dearly and not only is he a great musician but a great human being.
DM – At the age of 80, where do you get your energy and creativity? What does the future hold for Eddie Palmieri?
EP – Getting stronger every day! Chocolate Armenteros, the great Cuban trumpet player, said “When you get to the age of 50 you start counting by ones”, so I am only 30 years old with 60 years of musical and bandstand experience!
Eddie Palmieri Latin Jazz Band: Eddie at 80 – Friday, October 27, 7:00 & 9:30pm. Old Town School of Folk Music. Tickets at oldtownschool.org
The return of the Eddie Palmieri Salsa Orchestra to Millennium Park Monday night was a triumph by any conceivable measure. An audience of close to 10,000 people filled the Pritzker Pavilion seats and lawn on a hot summer night. The band rewarded the overflow crowd with a performance of epic proportions. Including Palmieri’s piano, there are 12 members of this orchestra, but if you closed your eyes while dancing with abandon (and trust me, there were many, many people dancing with abandon) you’d swear there were 50. The power emanating off the stage was the result of the very best Latin musicians playing at the top of their game for an adoring crowd and loving every minute of it.
Palmieri has been known by many nicknames over the last six decades or so since he formed La Perfecta, his first groundbreaking band: the Sun of Latin Music, El Maestro, El Rumbero del Piano. Or, a bit more obscurely, the Schoenberg of Salsa, a nod to the complex music of the contemporary classical composer. Over that time he has employed lo mejor de lo mejor of Latin musicians, and the current lineup stands with the best of them.
There were several standout moments from each and every person on stage. Hermán Olivera captures the spirit of original La Perfecta vocalist Ismael Quintana without resorting to imitation. Trombonists Conrad Herwig and Jimmy Bosch are band leaders and innovators in their own right. The congas/bongos/timbales Holy Trinity of Pequeño Johnny, Nicky Marrero and Camilo Molina-Gaetan kept everything on high burn the entire evening. Luques Curtis on bass anchored it all, and Nelson Gonzáles on tres was a constant reminder of the Cuban son foundation from which salsa emerged, particularly on Palmieri’s arrangement of the 1946 Arsenio Rodriguez classic Dame Un Cachito Pa’huele. All were allowed to shine repeatedly with solos during the entire 90-minute concert, and each brought 110% to every note and gesture.
Palmieri himself entered the stage first for a brief solo piano performance, then brought out the band, each of whom he introduced with warm regard before they played a single note. They kicked off with 15 delirious minutes of Pa’ la Ocha Tambó after which Palmieri, beaming with pride, remarked “This is how our music is supposed to be played.” A similarly lengthy Pa’ Huele followed, and then I lost track, because after awhile you surrender to the moment and simply become present in the joy that 12 musicians and 10,000 of their close friends can radiate. Once in awhile Palmieri would leave his piano bench to lead the crowd in clapping the clave, which I have to say (judging from the smile on Palmieri’s face) we all did flawlessly.
Words are pretty inadequate when it comes to describe music of this high caliber, so I’m going to turn it over to photographer Charlie Billups to tell the rest of the story. Thank you, Eddie. And thank you, Chicago.
Chicagoans are a hardy bunch. We suffer through what seems like endless winters because we know one thing: Summer music in Chicago is awesome! Nearly every weekend has one neighborhood festival or another. There’s the city-owned world class concert venue Pritzker Pavilion downtown, but in recent years the neighborhood parks have stepped up big time too. Besides all the free stuff, there are also a few privately run festivals where the music to dollar ratio is especially high.
There’s something for everyone, but we have a mission here at Agúzate that keeps us focused on places where the Afro-Latin quotient is high. Here then, is our guide to where we want to be this summer.
Of course, you’re invited too!
The 606 Block Party, June 4: We start in the ‘hood, or more accurately, the four neighborhoods that Chicago’s urban trail park runs through: Bucktown, Wicker Park, Logan Square and Humboldt Park. They are celebrating their first anniversary by throwing a huge party, and the Latino flavor of the trail’s western half leads to some pretty good music. Humboldt Boulevard between Cortland and Wabansia is where you’ll find salsa orchestra Luis Palermo and the Brasa All-Stars, the Latin ska of Los Vicios de Papá, and Bomba conBuya with special guest bomba maestroLeró Martinez. More action can be found in the smaller parks along the trail, including rumba Cubana from Iré Elese Abure, booming Brazilian samba from Bloco Maximo, Tango & folkloric music by bandoneón player Richard Scofano and even more bomba and plena with Leró Martinez, Jerry Ferrao, Arawak’Opia and saxophonist Roy McGrath.
Night Out in the Parks, various dates: Speaking of Roy McGrath, we’ve been following his Julia al Son de Jazz project ever since he premiered it at The 606 last year. McGrath reports that it is still growing and refining, and the public will get three more chances to check in on its progress in three spots around the city: June 24 at Fred Anderson Park in the South Loop, July 29 at Riis Park and August 26 at Gage Park. More 606 celebrants return as well, including Bomba con BuyaJuly 25 in Blackhawk Park and Iré Elese AbureAugust 27 at Julia de Burgos Park. Miramar, whose new album is a tribute to Puerto Rican songwriter Sylvia Rexach, performs June 24 in Hermosa Park. Finally, AfriCaribe brings the bomba y plena to three spots as well, June 23 in Churchill Park, July 11 in Wicker Park and August 10 in Foster Park.
Millennium Park Summer Music Series, various dates: There are many reasons to spend a summer evening here, but for us, none are more essential than the Eddie Palmieri Salsa Orchestra on June 27. Opening for El Maestro is Afro-Colombian folkloric ensemble Ecos del Pacifico. Other promising shows include Brazilian singer-songwriter Rodrigo Amarante (you might recognize him from his haunting theme to Netflix’s Narcos) on June 13, Afrobeat heir Femi Kuti and Positive Force on July 11, Congolese band Mbongwana Star with local favorites Dos Santos Antibeat Orquesta on August 11 and, making up for last year’s State Department visa meltdown, highlife legend King Sunny Ade on July 18. UPDATE: Puerto Rican singer Ileana Cabra Joglar, better known as iLe, has been added on July 14.
Square Roots Festival, July 8-10: The street fest version of its predecessor, the glorious Folk & Roots Festival, may never quite hit those heights of communal bliss, but the venerable Old Town School continues to bring in excellent music, and this year is no exception. We’ll be checking out roots reggae from Taj Weekes, the Ethiopian pop of Debo Band and the classic New York Latin sound of Los Hacheros.
Chicago SummerDance, various dates: A tradition going on 20 years, this globally generous three month dance party on Chicago’s front lawn will present several local and international artists, including Angel Melendez & the 911 Mambo Orchestra, Ricardo Lemvo and Makina Loca, Los Hacheros, Ola Fresca and Carpacho y Su Super Combo.
Chicago Latin Jazz Festival, July 15-16: Make sure your Uber account is in good standing, ‘cause you’re going to need it this weekend! We’ll start off Friday night with a festival that, without fail, presents the absolute best in Latin Jazz. And though we don’t yet know what they are planning for this year, it’s a sure bet that you’ll want to see some of it. UPDATE: Legendary San Francisco percussionist and bandleader John Santos has been announced as the Friday night headliner. Juan Pastor’s Chinchano opens.
El Gran Festival Colombiano, July 16-17: Back for its second year, they are working hard to build on last summer’s great lineup with 79 year old cumbia legend Anibal Velasquez, champeta master Charles King, salsa dura from Pibo Márquez’ Salsa Caribbean All Stars, Lucho Morales y Su Fiesta Vallenato, Afro-Colombian rising stars Explosión Negra and the old school salsa orchestra Sonora Carruseles. On the DJ side you’ll find Geko Jones from the Que Bajo?! collective and festival organizer Jorge Ortega himself spinning classic vinyl.
Celebrate Clark Street, July 16-17: Back for its eleventh year, the music at this humble and slightly gritty festival (I can say that ‘cause it’s in my neighborhood) always turns it into something of a mini-World Music Fest. This year is no exception. We’re especially excited about Palenke SoulTribe, Sierra Leone Refugee All-Stars and the El Freaky collective.
Evanston Ethnic Arts Festival, July 16-17: Uber goes to the suburbs, right? It is, as they say, cooler by the lake, and you can’t get any closer than at this summertime favorite. This year, check out the Cuban-Arabic-Flamenco-Gypsy Swing of Sultans of String, the Chicago Afrobeat Project, and the hard hitting Johnny Blas Afro Libre Orchestra.
Festival Cubano, August 12-14: No lineup has yet been made public, but in the past they have showcased such giants as Willy Chirino, El Gran Combo de Puerto Rico and Alfredo de la Fe. Last year brought the first visits of Cubans directly from the island, and there’s no reason to think that will stop now. UPDATE: Reunited hip-hop trio Orishas plus Albita and La India have been announced as headliners.
Chicago Jazz Festival, September 1-4: There are few better ways to end your summer than by immersing yourself in jazz at this 38 year old tradition. The Big Papi of jazz fests promises something for everyone, but we are especially excited about two performances: The experimental Afro-Latin collective James Sanders’ Proyecto Libre on Friday and the closing night concert, a Latin Jazz All Stars 95th birthday tribute to legendary Cuban congueroCandido Camero with Candido himself.
You have to come indoors sometime, and the early part of the summer provides a few excellent opportunities to do just that, including:
Venezuela by way of New York hedonists Los Amigos Invisibles hit Bottom Lounge June 9.
Darwin Noguera & Victor Garcia’s CALJE(June 10) and Colombian/New York band leader Gregorio Uribe(June 12), both at Sabor a Café Steakhouse.
Cuban pianist Alfredo Rodriguez Trio at the Jazz ShowcaseJune 16-19.
Triple Threat! Dos Santos Antibeat Orquesta with funk/soul/reggae band Fatbook and global jazz beatmaster Makaya McCraven at Martyrs June 17.