By Don Macica –
For some artists, it can take a very long time to find your voice. For the Paris-born guitarist and singer Pascal Danaë, that voice came in the history and language of his ancestors on the Caribbean island of Guadeloupe and, going even further back, his African heritage. His new group, Delgres, who just released their debut album Mo Jodi and will appear twice this weekend at World Music Festival Chicago, is inspired by his family and, more broadly, the struggle for human dignity. Its lyrics are primarily sung in Creole with some English.
Growing up in the suburbs of Paris, Danaë was exposed to all sorts of music: Haitian konpa, Cuban son, and African soukous among them, but also English rock like the Kinks and Rolling Stones. He developed an interest in jazz as well, especially guitarists like Wes Montgomery and George Benson.
It was a trip back to his parent’s home in Guadeloupe (a place that his parents never returned to after emigrating to France) when a seed was planted that, almost two decades later, would become his vision for Delgres. It was in there that Danaë encountered the letter of freedom given to his great-great-grandmother in 1841 when she was 27 years old, and it had a profound emotional impact.
Danaë already had a successful career as a jazz guitarist and session musician for the likes of Peter Gabriel, Youssou N’Dour and Gilberto Gil before attempting to do something more personal. He released a solo album in 2004 and then formed the Afro-Brazilian tinged group Rivière Noire before finally feeling ready to follow through on his Guadeloupe-inspired vision.
The group is named after Louis Delgrès, a Creole officer in the French army who died fighting against slavery on the island in 1802. Informed as it is by Danaë’s personal history, the album also serves as a call to fight against modern-day oppression and slavery.
A bit of history: Guadeloupe is part of the same archipelago as Cuba, the island of Hispaniola, and Puerto Rico. Like nearby Saint-Domingue on Hispaniola, the island was a French colony. After a successful slave revolt, Saint-Domingue became the nation of Haiti in 1804. There were similar stirrings for freedom happening on Guadeloupe, but they were successfully put down. Slavery was not abolished until 1848.
While the Creole language of Danaë’s ancestors figures prominently in the conceptual intent of the songs, the band’s muscular sonic foundation owes much to other traditions drawn from the experience of Africans in the Americas. The raw and rollicking sound of Mississippi hill country blues informs Danaë’s vocals and guitar and the powerful drumming. The final layer in this stripped-down trio is that of the sousaphone, a key element of New Orleans brass band music, supplying earthy and growling bass lines.
The guitar-drums-sousaphone combo packs quite a wallop when playing full-tilt, but the trio is also capable of pulling back a bit to leave some room for delicate introspection. As much as Danaë has infused the songs with meaning and purpose, he has also made sure that the band that plays them and the music they create together remain upbeat and approachable. “It’s not a history book,” says Danaë of the band in concert. “We have a good time.”
Delgres at World Music Festival Chicago
Saturday, September 22 at Concord Music Hall
Sunday, September 23 at Navy Pier