For the last couple of decades, musicians from Chicago have placed the city squarely on the national musical map with their community based, multi-discipline artistic approach. It is perhaps most evident in hip-hop, where Chance the Rapper and Jamila Woods continue a legacy established by Common, Rhymefest and Kanye West.
Meanwhile, a parallel Latin scene has slowly developed, and the fruits of many years efforts are starting to pay off. Dos Santos Anti-Beat Orquesta broke first in 2013 with their aggressive cumbia/chicha sound and thoughtful sociopolitical manifesto, making a strong case for the groove as an agent of social change. Their sound has since evolved to more of a pan-Latin rock reflective of its member’s Mexican, Panamanian, Puerto Rican and Texan backgrounds.
Now, ¡ESSO! Afrojam Funkbeat, who have been on the scene for almost as long, are making their move. They scored a SXSW gig earlier this year, then followed it up by opening for the legendary Café Tacvba at Taste of Chicago this summer. Now they have released their second album, Juntos, and are in the midst of an eighteen-date national tour.
ESSO might just be the band the country needs in these dark days of the Trump presidency. Like Dos Santos, the diversity of the band’s members contributes to its sound and message, with Mexican, Puerto Rican, Irish, Italian, Jewish, Colombian and African American backgrounds. The group also has two female members, adding another important perspective to the mix. A diverse cast of guest musicians, MCs and DJs further fills out the sound of Juntos.
Between them, they’ve been raised on everything: Afro-Caribbean folkloric music to be sure, but also R&B, house, funk, hip-hop, jazz and a healthy dose of DJ dance floor beats. All of this comes to bear in their music. Songs are supported by lively and intricate polyrhythmic percussion and there are flashes of electric guitar, but most tracks exude a gently insistent groove reminiscent of the down-tempo global excursions of groups like Thievery Corporation. The rhymes come out of the conscious rap movement of poetic persuasion, not nihilistic despair. The horn arrangements are jazzy.
That’s not to say that this is some kind of easy listening music. The music is built for the dance floor, not the VIP lounge. Electronic beats and squiggles help that along, but the overall sound is organic, and underneath the smooth exterior are real roots and genuine commitment. Lyrically, songs address the contradictions of urban life faced by immigrant communities, but also love and the virtues of coming together to face them. There’s real fire to this music, albeit with an incandescence that smolders rather than blazes. It pulls you to the dance floor, not pushes.
ESSO reaches back beyond the Caribbean to Africa and skillfully blends those motherland elements into its rhythmic sancocho. Fela’s Afrobeat can be felt in some songs, but so does the jùjú music of that other giant of Nigerian music, King Sunny Ade, as well as the loping guitars of Ghanaian highlife.
Playing spot the influence is a lot of fun with this album, but each of them are smoothly integrated into a band sound that is uniquely theirs. I have a few favorite tracks, and you’ll no doubt have yours, but this collection of 13 songs is best consumed whole from beginning to end, like a good meal among friends.
There is a saying that goes something like this: If you live long enough, you become respectable. It’s a phrase that comes to mind almost every time I consider the life and music of Caetano Veloso. Revolutionary avant-gardist of the Tropicalia movement in the 1960s and forced into exile, he is now perhaps the ultimate Brazilian icon, on par with his hero, the late João Gilberto. It’s been that way since at least the 1980s, when he was described in the American press as something of a cross between the Beatles, Bob Dylan and Michael Jackson, a massively popular and influential musician that is also a poet and incisive observer of Brazilian society.
I’ve been fortunate to see Veloso in concert twice in the last twenty years, and both times he was accompanied by a full band supporting him with lush harmonics, Afro-Brazilian rhythms and bracing modernism. Now, on the heels of his appearance at the opening ceremonies of the Rio Olympics with his friend and fellow Tropicalia legend Gilberto Gil, Symphony Center is bringing him to Chicago with just his voice, guitar and one very special guest, samba singer Teresa Cristina, a respected artist in Brazil and founding member of the Carioca samba movement.
Caetano Veloso’s voice, at the age of 74, remains a supple and beautiful instrument. If anything, his phrasing is even better, in the manner of a jazz musician who never stops seeking the most meaningful way to play a series of notes. As an artist, Veloso is still something of an adventurer, seeking new sounds and youthful collaborators, as on his most recent studio release, Abraçaço.
A better indication to what to expect in this concert, though, might be his recent live album with Gilberto Gil, Dois Amigos, um Século de Música, in which the two old friends from Bahia are accompanied only by their own guitars, singing each others songs from the last 50 years along with favorites of theirs written by others.
Since the mid 1980s, Nonesuch Records has done North America a huge service by releasing Caetano Veloso’s albums here. Now, they are doing the same for Rio de Janeiro native Teresa Cristina, making her new Canta Cartola album, recorded live with guitarist Carlinhos Sete Cordas, available mere months after its Brazilian release. It’s a beautiful and intimately recorded document of a special night in Rio. Her Symphony Center appearance will find her accompanied by the guitarist as well.
On Canta Cartola, Cristina eschews the exuberant rhythms and high energy level normally associated with samba, instead burrowing into the heart of the songs for the saudade within. Veloso will do much the same in this similarly intimate context, revisiting his 50 year catalog with the sort of nuance that can only come with the simplicity of voice and guitar.
Their Symphony Center show is one of only four scheduled in the United States, and two of them are in New York City. That alone makes this night a special one indeed. _______
Caetano Veloso with Teresa Cristina, Symphony Center, Sunday October 16, 7:00PM. Tickets at CSO.org
Chicagoans are a hardy bunch. We suffer through what seems like endless winters because we know one thing: Summer music in Chicago is awesome! Nearly every weekend has one neighborhood festival or another. There’s the city-owned world class concert venue Pritzker Pavilion downtown, but in recent years the neighborhood parks have stepped up big time too. Besides all the free stuff, there are also a few privately run festivals where the music to dollar ratio is especially high.
There’s something for everyone, but we have a mission here at Agúzate that keeps us focused on places where the Afro-Latin quotient is high. Here then, is our guide to where we want to be this summer.
Of course, you’re invited too!
The 606 Block Party, June 4: We start in the ‘hood, or more accurately, the four neighborhoods that Chicago’s urban trail park runs through: Bucktown, Wicker Park, Logan Square and Humboldt Park. They are celebrating their first anniversary by throwing a huge party, and the Latino flavor of the trail’s western half leads to some pretty good music. Humboldt Boulevard between Cortland and Wabansia is where you’ll find salsa orchestra Luis Palermo and the Brasa All-Stars, the Latin ska of Los Vicios de Papá, and Bomba conBuya with special guest bomba maestroLeró Martinez. More action can be found in the smaller parks along the trail, including rumba Cubana from Iré Elese Abure, booming Brazilian samba from Bloco Maximo, Tango & folkloric music by bandoneón player Richard Scofano and even more bomba and plena with Leró Martinez, Jerry Ferrao, Arawak’Opia and saxophonist Roy McGrath.
Night Out in the Parks, various dates: Speaking of Roy McGrath, we’ve been following his Julia al Son de Jazz project ever since he premiered it at The 606 last year. McGrath reports that it is still growing and refining, and the public will get three more chances to check in on its progress in three spots around the city: June 24 at Fred Anderson Park in the South Loop, July 29 at Riis Park and August 26 at Gage Park. More 606 celebrants return as well, including Bomba con BuyaJuly 25 in Blackhawk Park and Iré Elese AbureAugust 27 at Julia de Burgos Park. Miramar, whose new album is a tribute to Puerto Rican songwriter Sylvia Rexach, performs June 24 in Hermosa Park. Finally, AfriCaribe brings the bomba y plena to three spots as well, June 23 in Churchill Park, July 11 in Wicker Park and August 10 in Foster Park.
Millennium Park Summer Music Series, various dates: There are many reasons to spend a summer evening here, but for us, none are more essential than the Eddie Palmieri Salsa Orchestra on June 27. Opening for El Maestro is Afro-Colombian folkloric ensemble Ecos del Pacifico. Other promising shows include Brazilian singer-songwriter Rodrigo Amarante (you might recognize him from his haunting theme to Netflix’s Narcos) on June 13, Afrobeat heir Femi Kuti and Positive Force on July 11, Congolese band Mbongwana Star with local favorites Dos Santos Antibeat Orquesta on August 11 and, making up for last year’s State Department visa meltdown, highlife legend King Sunny Ade on July 18. UPDATE: Puerto Rican singer Ileana Cabra Joglar, better known as iLe, has been added on July 14.
Square Roots Festival, July 8-10: The street fest version of its predecessor, the glorious Folk & Roots Festival, may never quite hit those heights of communal bliss, but the venerable Old Town School continues to bring in excellent music, and this year is no exception. We’ll be checking out roots reggae from Taj Weekes, the Ethiopian pop of Debo Band and the classic New York Latin sound of Los Hacheros.
Chicago SummerDance, various dates: A tradition going on 20 years, this globally generous three month dance party on Chicago’s front lawn will present several local and international artists, including Angel Melendez & the 911 Mambo Orchestra, Ricardo Lemvo and Makina Loca, Los Hacheros, Ola Fresca and Carpacho y Su Super Combo.
Chicago Latin Jazz Festival, July 15-16: Make sure your Uber account is in good standing, ‘cause you’re going to need it this weekend! We’ll start off Friday night with a festival that, without fail, presents the absolute best in Latin Jazz. And though we don’t yet know what they are planning for this year, it’s a sure bet that you’ll want to see some of it. UPDATE: Legendary San Francisco percussionist and bandleader John Santos has been announced as the Friday night headliner. Juan Pastor’s Chinchano opens.
El Gran Festival Colombiano, July 16-17: Back for its second year, they are working hard to build on last summer’s great lineup with 79 year old cumbia legend Anibal Velasquez, champeta master Charles King, salsa dura from Pibo Márquez’ Salsa Caribbean All Stars, Lucho Morales y Su Fiesta Vallenato, Afro-Colombian rising stars Explosión Negra and the old school salsa orchestra Sonora Carruseles. On the DJ side you’ll find Geko Jones from the Que Bajo?! collective and festival organizer Jorge Ortega himself spinning classic vinyl.
Celebrate Clark Street, July 16-17: Back for its eleventh year, the music at this humble and slightly gritty festival (I can say that ‘cause it’s in my neighborhood) always turns it into something of a mini-World Music Fest. This year is no exception. We’re especially excited about Palenke SoulTribe, Sierra Leone Refugee All-Stars and the El Freaky collective.
Evanston Ethnic Arts Festival, July 16-17: Uber goes to the suburbs, right? It is, as they say, cooler by the lake, and you can’t get any closer than at this summertime favorite. This year, check out the Cuban-Arabic-Flamenco-Gypsy Swing of Sultans of String, the Chicago Afrobeat Project, and the hard hitting Johnny Blas Afro Libre Orchestra.
Festival Cubano, August 12-14: No lineup has yet been made public, but in the past they have showcased such giants as Willy Chirino, El Gran Combo de Puerto Rico and Alfredo de la Fe. Last year brought the first visits of Cubans directly from the island, and there’s no reason to think that will stop now. UPDATE: Reunited hip-hop trio Orishas plus Albita and La India have been announced as headliners.
Chicago Jazz Festival, September 1-4: There are few better ways to end your summer than by immersing yourself in jazz at this 38 year old tradition. The Big Papi of jazz fests promises something for everyone, but we are especially excited about two performances: The experimental Afro-Latin collective James Sanders’ Proyecto Libre on Friday and the closing night concert, a Latin Jazz All Stars 95th birthday tribute to legendary Cuban congueroCandido Camero with Candido himself.
You have to come indoors sometime, and the early part of the summer provides a few excellent opportunities to do just that, including:
Venezuela by way of New York hedonists Los Amigos Invisibles hit Bottom Lounge June 9.
Darwin Noguera & Victor Garcia’s CALJE(June 10) and Colombian/New York band leader Gregorio Uribe(June 12), both at Sabor a Café Steakhouse.
Cuban pianist Alfredo Rodriguez Trio at the Jazz ShowcaseJune 16-19.
Triple Threat! Dos Santos Antibeat Orquesta with funk/soul/reggae band Fatbook and global jazz beatmaster Makaya McCraven at Martyrs June 17.